SNOOPING THROUGH WHERE PRINCE WILLIAM AND KATE WILL LIVE - - MONACO RED CROSS BALL
- - THEATRE BOASTS WEST END TRANSFER
BEACH LIFE BY ERIC FISCHL
HARRISON, TX: THREE PLAYS BY HORTON FOOTE
- - THE GREAT GATSBY MUSICAL
GHOST:THE MUSICAL GIVES IT UP
- - SADLY, TOO MANY DEATHS THIS WEEK - - DONATE . . . Scroll Down
LOVE, SCANDAL AND ROCK & ROLL - THE
EMOTIONALLY FISSURED KENSINGTON
Kensington Palace photo by Laura Deni
Kensington Palace is the most emotionally fragmented of all the royal palaces.
A bevy of gossip, history, intrigue, romance and
It's not a palace as much as an apartment building for well connected royals.
The living conditions are a cross between those in the Fort Greene Brooklyn brownstones and living in an assisted care
As much and Will and Kate have attempted to maintain their current living
quarters by themselves, moving into Apartment 1a at Kensington will require
a fulltime staff. Should
the young couple need any type of assistance, all they have to do is push a
They'll put their own stamp on the place - a place with a storied past.
Princess Diana used to sneak her lovers into Kensington.
It's haunted by a ghost.
In her and Lord Snowdon's Kensington apartment, Princess Margaret threw
the best celebrity parties ever and became the life of the party
It's where an 18-year-old named Victoria learned that she had become
Diana invited the Rolling Stones to her home at Kensington, and some were not amused.
Then there is that warming pan baby.
I stood in Apartment 1a, in a room
used by Princess Margaret as an indoor garden room.
On display are gowns worn by Princess Diana. ( See Broadway
column of July 29, 2012 ).
Soon it will be the apartment lived in by Prince
William and Kate.
Last inhabited by the queen's late sister, Will and Kate won't
move in until mid-to-late 2013, because the apartment still needs work.
In American that would be called bringing the building up to
code. Plumbing and electric work was extensive.
Asbestos needed to be removed. That can cost a pretty penny,
but there really isn't anything to show off. It's like asking somebody to
come over and admire a new battery in your car.
New facilities do include gorgeous public gardens, a gift shop, a café and the $2 million Clore Learning Centre.
Two elevators were also added
which will make it easier for Will and Kate to navigate the four-story apartment.
Apartment 1a is perfect for a young family with its own walled-in
garden, along with staff quarters and a nursery.
Princess Margaret with her children Lady Sarah and David,
Viscount Linley who were raised in Apartment 1A. Photo: Royal Archives
Princess Margaret and Lord Snowdon raised two children there; Lady Sarah
and David, Viscount Linley - both of whom turned out to be by all accounts -
When occupied by Princess Margaret and Lord Snowdon the apartment was the location
of London's social scene. The couple were fun loving and excelled at entertaining.
Pop in and you might have found Diana Vreeland, Dudley Moore at the piano, Cleo Laine singing, Peter
Sellers and Spike Milligan playing the fool, John Betjeman telling stories.
There was also a healthy dose of scandal, rumor, infidelity, alcohol,
drugs and bizarre behavior.
It's been speculated had not Margaret been a royal princess, she would have become a sought after performer. She could sing and her ability to mimic and impersonate was reported to have been the highpoint of the couple's parties.
After their divorce, Margaret remained in the apartment until her death. Then the apartment was permitted to fall into disrepair. A decade of neglect made the abode uninhabitable.
Even if Will and Kate weren't slated to move in, Kensington Palace had needed a good going over.
The most obvious upgrade to the eye is the restoration of those magnificent gardens.
Gone - the unsightly brush and neglected overgrowth. Princess Louise, one of Queen Victoria's daughters was an accomplished
sculptor - her large marble statue of Queen Victoria has been given a bath.
Removed are most of the gates which offered a foreboding aura.
William and Kate will live next to a cafe and a souvenir shop.
While the fire places in Apartment 1a work, they can't be turned on because, as it
was explained to me, "if we turn them on, then the savory smells (from the restaurant)
come in and nobody wants that. Yes, all of the radiators do work."
Prince William and Kate's future dining room is for rent. Photo: Historical Royal Palace.
Before Will and Kate move in, it's possible to rent the dining room. The
official advertisement states:
Contemporary former home of Princess Margaret and Lord Snowdon. Available
for a limited time only.
60 for receptions
40 for lunch or dinner
20 boardroom arrangement
60 theatre style
"About the venue
A private, exclusive and contemporary space.
Ideal for intimate dinners and lunches.
Perfect for meetings requiring a small break out area."
Apartment 1a is ideal for smaller events and for those seeking a truly
unique experience. The contemporary decor set inside the historic
Kensington Palace creates a real sense of modern royal life."
"A little history of the space
Apartment 1a was a private residence until 2002 and, following its
restoration, was opened to the public in 2004. Former residents have
included Augustus Frederick, Duke of Sussex, son of George III, who kept
his famous collection of 50,000 books here until his death in 1843; and
Princess Louise, daughter of Queen Victoria, who moved into the apartment
"The most famous resident of Apartment 1a was Princess Margaret who moved
to Kensington Palace in 1960 with her then husband Lord Snowdon. Princess
Margaret and Snowdon set about transforming the apartment, which had lain
vacant after Princess Louise's death in 1939, into a more contemporary
home for heir family whilst still retaining many of the 18th century
"Preferred suppliers can help with catering, flowers, photography, music
and entertainment and more."
Snooping through the place is an interesting experience.
Kensington Palace was built as a private country house called Nottingham
House in about 1605.
Victoria was born there on May 24, 1819.
She was christened the following month in a private ceremony in the
Eighteen years later, Princess Victoria was awakened at Kensington Palace
early in the morning of June 20, 1837 with news of her accession to the
throne. Her first Privy Council was held in the Red Salon on this day,
before the young Queen moved permanently to Buckingham Palace with her
Encased in glass is the dress which Victoria was wearing in 1837
when she was told that her uncle, William IV,
was dead and that she had become Queen.
Nearly 100 members of the Privy Council crammed into this room to proclaim
her as Sovereign.
In the display, Privy Councillors' silhouettes line the walls alongside the names of all 97 men who attended the meeting.
Historical records show that, because she was in mourning for William IV, she was dressed in black. However, Sir David Wilkie’s famous painting
of that moment has her
in virginal white.
Painters of that era had their own version of photo-shop, called a paint brush and more than one historical painting has altered history.
The actual dress is on display but looks bronze, not black. The official explanation
is "due to the unstability of the dye." In other words, the dress faded.
The room's name also invokes literary license. Recent paint analysis has shown that the
wall color was never actually red, and therefore
the room was probably named the Red Saloon after the furnishings. The walls
have been returned to the brownish pink color they were in 1837.
In all London palaces, colors of red, pink and purple predominate. The royals
were mixing those shades eons before Carnaby Street clothes ever hit a runway.
Today, the State Apartments comprise the King's and Queen's Apartments
which have been interpreted to
represent the time of King William III and Queen Mary II.
Queen Victoria's wedding dress. Photo: for Historical Royal Palaces by Getty.
The Kensington Palace Queen Victoria exhibition is located in the rooms where Victoria lived
as a child and include paintings by Franz Xaver Winterhalter and Sir
Edwin Landseer, gifts that Queen Victoria exchanged with Prince Albert
during their engagement in 1839 and her wedding dress.
Contrary to old folk tales, the celebrated silk-and-lace bridal gown worn
by Queen Victoria didn't
start the white wedding dress craze.
Fabrics were an important in-your-face way to flaunt wealth. White was a valued color because it was both difficult to achieve,
and hard to maintain. Wealthy brides, then, often wore white to
demonstrate their money, not their purity.
Her jewelry, mourning clothes and other personal objects are also on
display alongside replicas of Victorian children's toys. There are also
let's play dress-up clothes and interactive displays for children.
encouraged to open drawers
full of replica memorabilia and documents.
In one corner is the actual piano where Victoria and Albert would sit together and play duets.
The Palace is currently staging a temporary summer exhibition called
Jubilee, telling the story of Queen Victoria's Diamond Jubilee
celebrations in 1897.
There are film, sound and interactive displays and a focus on the procession through London on June 22, 1897 when the Queen, members of the
royal family and soldiers from around the world paraded to a service of thanksgiving at St Paul's Cathedral.
While the guides insisted that the display was popular, I heard several complaints and I thought it was a waste of space. A loop of Queen Victoria's procession plays in the dark room.
The actual piano where Victoria and Albert would sit and play duets. Photo by Laura Deni
Hanging from the ceiling in a maze are strips of gauze looking material.
Visitors make their way through the maze and are encouraged
to wave. Look at the screen and you'll see your hand in the crowd, waving at Queen Victoria.
That's probably cute if you are eight. The loop is just that - a loop. After seeing
the carriage procession for what seemed like the 60th time, it gets repetitive.
I would rather have just stood in a lighted, vacant room, and been able to enjoy the construction, the wood, the hues of the finishes. The room is infused with history which is obliterated by a high tech gimmick.
Highlight of the Queen Victoria section is in what was known as the Teck Saloon but renamed the
‘Love Rooms’ for this exhibition. It showcases the Victoria and Albert romance.
What is a romance it was - one of the greatest in history.
Much like the love story of Queen Elizabeth II and Prince Philip, the woman may have
ruled the country but the man was her backbone. I've thought of Prince Philip as the
Hidden King of England. He has also pulled off what few men could have accomplished -
not losing his self esteem while walking one step behind.
Queen Elizabeth and Prince Philip are second cousins once removed. Thus both
Elizabeth and Philip are the
great-great grandchildren of Queen Victoria.
The couple recently visited the exhibit. While The Queen was enthralled with the
gifts that Victoria and Albert had exchanged over the years, Prince Philip displayed
his utterly delightful sense
of humor. Upon entering the Love Rooms, which are covered - (from on the floor,
on the walls and even on the clear display cabinets) in sometimes difficult to
read script, words from Queen Victoria's diary and letters, Prince Philip quipped -
"Who did the graffiti?"
Commanding attention is the gorgeous wedding dress - a dress Queen Victoria wore
several times. Those love birds - Victoria and Albert - would regularly
don their wedding attire and host wedding anniversary parties. As the petite
Victoria got older and bore more children, her incredible gown experienced
several alterations and the top layer of fabric is missing. However, it is one of the
most stunning dresses you'll ever see. It's romantically and magnificently displayed
in a case which is mirrored on three sides, enabling the visitor to see all angles of the gown.
The items on display are extensive and personal.
Her Transylvanian Suite of
jewelry, her multi-colored bonnet which was considered at that time to be both
sexy and bold, a brooch
made from a milk tooth and Prince Albert’s
‘dressing case’, a little wooden chest of bottles, brushes and a silver
spatula which was used as - a tongue scraper.
A hands on display suggests visitors write Queen Victoria a post card.
Photo by Laura Deni.
In one area post cards are provided for people to write messages to Queen Victoria and leave the cards in a box. Each night 10 of the cards are chosen to be displayed the next day on a bulletin board. It's cute and clever, but since the visitor won't be back the next day there is no way of knowing if their card has been selected.
While only a few in number, the originals on display are impressive, dramatic historical preservations.
There are numerous replicas of both clothes and toys which visitors are encouraged to
touch, play with and try on.
Replicas of the dress uniforms worn by the Privy Councillors during the 19th century were recreated by the 2012 bespoke tailoring BA students at London College of Fashion in partnership with Savile Row tailoring firm Dege & Skinner and Historical Royal Palaces.
Another room is devoted to childhood - that of Victoria and also of her
children. A baby-sized pair
of slippers turns out to be her very first pair of shoes.
Some of her earliest sketchbooks show she had both an interest and talent for drawing. She also loved to collect dolls, naming
them after leading Court figures and theatrical stars of the day.
Elsewhere, are baby clothes
and fancy dresses actually worn by her children.
There are also talking walls. Sit on the elegant red velvet settees and press your
ear against the walls. They come alive with
historic court gossip. Much more interesting than the telephone you
listen into at the Disneyland General Store to overhear party-line chatter.
One of Queen Victoria's mourning dresses and two of the mourning dresses for her children.
Photo: For Historical Royal Palaces by Getty.
Victoria was madly, passionately in love with
Albert. She may have ruled an Empire, but he owned her heart. His death was a blow from which she would never recover. She remained in mourning until the day she died.
Her extensive mourning period is displayed with dark drama.
Rooms are dim and shrouded in black.
On public display for the first time is the book that Victoria was reading
to her husband at the moment he died. Her copy of Peveril Of The Peak by
Sir Walter Scott has for ever after been open on page 80. She even had her
handkerchiefs embroidered with black tears.
Her mourning dresses and those of her children are in cases.
The dark room with eerie white trees makes one think of a haunted house.
Kensington is said to be haunted by the spirit of the
formidable figure of Queen Mary, the consort of George V and William's
Queen Mary is a significant part of Kensington.
Queen Mary's Drawing Room is one of a series of small rooms which were
used by the Queen as her private apartments. The room was badly damaged by
incendiary bombs on the night of October 14, 1940; the paneling was
destroyed and the walls are now covered with a modern paper.
The giltwood chandelier, which is speculated as English, c1730, was one of four
originally hung in the Queen's Gallery. The room contains an impressive
collection of late 17th-century furniture including an inlaid cabinet
containing 17th and 18th-century porcelain and an inlaid ebony writing
table, typical of the style preferred by Queen Mary.
The only remaining Kensington gate is on the side where people still leave
tributes for Princess Diana. Photo by Laura Deni
Queen Mary's Bedchamber is a room into which only the most senior of the Queen's staff were
allowed access. The four poster state bed belonged to Queen Mary's
stepmother, Mary of Modena. It is sometimes known as the 'warming-pan bed'
and is traditionally associated with the birth of Prince James Francis
Edward Stuart (the 'Old Pretender') at St James's Palace in 1688. The
young Prince, son of James II and Mary of Modena, was the Catholic heir to
the throne and news of his birth was not well received by the Protestant
supporters of William of Orange (the future William III). Within hours a
rumor was circulating that the infant was not the Queen's child but a
surrogate baby smuggled into the bed in a warming pan.
Queen Mary II died of smallpox on December 28, 1694, presumed in that very room. After her death, at the early age of 32, the palace, including the Privy Chamber, Presence Chamber and the King's own bedchamber were hung with 4,200 yards of black and purple mourning cloth.
Queen Mary's Dining Room is the only room of the State Apartments specifically set
aside for eating. Neither William nor Mary enjoyed dining in public and
this room allowed them to eat in relative privacy.
17th and 18th-century Chinese porcelain of the
type avidly collected by Queen Mary is displayed on a late 17th-century
black lacquer cabinet. The room still retains its original marble
fireplace and paneling, although it may have been once hung with gilt
leather and tapestries.
View through an upstairs leaded window. Photo by Laura Deni
Queen Mary's Closet is a small space which was a scene of a scathing verbal fight.
Queen Anne's last meeting with Sarah,
Duchess of Marlborough took place there on the evening of Maundy Thursday,
April 6, 1710.
The Duchess was Anne's closest friend and held several
important positions in the Queen's household, including First Lady of the
The two corresponded incessantly, using the invented names of
Mrs Morley (the Queen) and Mrs Freeman (the Duchess) to demonstrate the
equality of their relationship.
However, their friendship ended after a
disagreement, which escalated. The harsh exchange of words
prompted the Duchess in 1711 to resign
all her offices.
Queen Mary's Gallery was originally furnished with fine lacquered chairs,
tables and cabinets and 154 pieces of Chinese and Japanese porcelain.
room was originally lit by four chandeliers of gilded wood, suspended down
the center of the room.
Mark, one of the more knowledgeable and helpful Kensington guides, stands watch
over the Queen's Staircase. No stranger to Sin City, Mark has been to Las Vegas twice;
first watch a Brit box at the MGM and, more recently, to attend a lavish wedding at
Lake Las Vegas. Photo by Laura Deni
When the gallery was first built the paneled walls
were hung with silk in the color chosen by the Queen' - with white damask
curtains adorning the windows.
The present curtains are modern.
An odd theatrical touch, a flock of replica birds hang down from the ceiling since
Mary kept her songbirds in this room.
The plain Queen's Staircase which was designed by Wren, was primarily used
by the Queen to give access between the private apartments and gardens.
The rich, oak paneling was made under the direction of the King's Master Joiner,
Alexander Fort, who was responsible for the paneling and the fitting of sash
windows throughout the palace.
The staircase leads down to a hall
that was once Queen Mary II's garden room.
The garden door, facing the
foot of the stairs, dates from 1690-1.
Outside, William and Mary's
monogram can be seen above the doorway, surrounded by swags of fruit and flowers.
More appropriate for the Haunted House at Disneyland or a scene of a horror movie,
rather than a royal palace, is the birthday party for dead children - a vision
of some theatrical stage designers.
One room is devoted to the tragic story of Queen Anne’s 18 pregnancies.
Only one child, Prince William, Duke of
Gloucester, survived beyond the age of four. Shortly after turning 11, he
himself died of ‘overheating’,
supposedly brought on by too much dancing at his own birthday party.
Pillows embroidered with the faces of all royals who have lived at
Kensington are on a stone and brick bench. Photo by Laura Deni
The last three embroidered pillows are of Princess Diana, Prince William and
Katherine, Duchess of Cambridge. Photo by Laura Deni
This surreal and depressing tale is represented
by 18 empty chairs laid out for a children’s birthday party in honor of
William's dead siblings.
Management has called it a ‘poignant re-interpretation’. Others have labeled it 'weird, downright
macabre, very creepy, mawkish' and 'faintly peculiar'.
Elsewhere, a modern luminous light sculpture, made of more than two miles
of electroluminescent wire constructed to look like lace, takes up
significant entry hall space.
While this is an expensive, complicated and heavily thought out exhibition,
it's impossible to please everybody.
There are important reasons why you don't hang a Picasso one inch away from a Rembrandt. Both are important and interesting. Put them too close together and they confuse and distract the appreciation for either.
There is a bit of that going on with this exhibition.
Blame a lack of direction.
While each of the four sections has a strikingly different theme,
there are neither guided tours nor electronic headsets. Set
in a relatively small space, visitors 'self guide' aimlessly stumbling
(some sections are very dark) from one room into another
and then back again. Asking a guide how to proceed, one is told to just walk around
"any way you want," rather than helping the visitor finish a specific themed area before
ambling into a different era.
Many times you're not too sure which historical period you are in.
Every room has at least one guide/guard. While they do offer a dribble of information,
they seem to be present to make certain you ask permission before taking
pictures. If it's clothing or paintings you want to snap, you'll be told 'no.'
Other objects might get photo approval.
One long hallway has pillows embroidered with the faces of every royal who ever
called Kensington home.
Then there is the section which causes ticket sales - anything related to Princess Diana.
She may be the cash cow, but her significance seems to be her ability to wear clothes.
It's difficult to
find a peg upon which to hang her history: mother to a future king, divorced, stripped
of the important HRH prefix before her princess title,
humanitarian, credited with shaking the royal family into a modern age, loved
and admired by the masses,
Thus far, her memorials tend to be more superficial than substantial.
But, her name sells tickets.
Officials are hoping that just the small and quirky section devoted to the late Diana,
which closes September 1, 2012, will increase
its 2012 visitor numbers from the annual 300,000 to upwards of 400,000.
Large tents line a section of the Kensington back yard for a production
of The Lion, The Witch
and the Wardrobe. Photo by Laura Deni
Kate, Duchess of Cambridge attended a charity performance mentioning that all she
had to do to get there was walk across her back yard. Photo by Laura Deni
The $20 million refurbishment was paid for with cash reserves,
Lottery funding and support from charitable trusts. Now, to keep it running it's up to the
ticket buying public.
That includes renting the back yard for a popular production The Lion,
The Witch and the Wardrobe, which runs through September 9.
Kate even attended a charity performance commenting that it was
convenient - being in her backyard.
The Kensington gift shop offers a more romantic, 18th century inspired
area of quality goods. Some of the key rings are 18th century looking
silver colored metal keys with a rhinestone in the center on both
Many of the items are adorned with pearls and jewels - pens, note pads,
magnifying glasses and letter openers.
There is an interesting array of well designed, expensive costume jewelry
with starting prices beginning at about $300.
There are books, children's costumes, chocolates, tea sets, shirts, hats,
scarves, men's ties and cuff links, charms, Christmas decorations, lotions
Historic Royal Palaces Enterprises Ltd is the trading arm of the charity,
and "all profits from retail sales are gift-aided to the charity to enable
us to continue to conserve these fabulous palaces for future
The Historic Royal Palaces know that to keep Kensington Palace functioning they not only
have to appeal to all ages and tastes but those people have to be paying customers.
However, if as senior curator and historian, Lucy Worsley, has been quoted as saying, that
they need to "target a younger audience."
The "younger audience" wants Princes William, Harry and Kate.
Will and Kate are about to move into their new-to-them apartment. Think of an ordinary
who buys a home which has been part of tours given by real estate agents. Suggestion: scrub everything
down with Lysol and change the locks.
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ART AND ABOUT
The Beginning of the End by Eric Fischl.
In keeping with Guild Hall's longstanding tradition of exhibiting artists
of the region, they are devoting the entire museum to the works of Eric
featuring a wide selection of paintings that span a 30-year artistic
Fischl is an American painter, sculptor and printmaker. Born in New York
City he grew up on suburban Long Island; his family moved
to Phoenix, Arizona in 1967. His own web site describes him as growing up
"against a backdrop of alcoholism and a country club culture\ obsessed
with image over content.
He is a senior critic at the New York Academy of Art.
In response to 9/11, Fischl debuted his work Tumbling Woman at Rockefeller
Center in New York, creating
controversy since it reminded the viewers of people falling from the
World Trade Center. When asked about
the controversy in an interview, Fischl still felt "confused and hurt by
[it]. It was an absolutely sincere attempt to put feelings into
form and to share them, and it was met with such anger and anxiety in a
way that used to be reserved for abstract sculpture, really." Fischl felt
were mourning the building more than the people since there were so few
bodies but such a high body count, which he felt was wrong.
Fischl worked and resided in New York City, but has recently moved to Sag
Harbor, Long Island, New York with his wife, landscapist April Gornik,
where they share a home and matching studios.
On view through October 14 at Guild Hall in East Hampton, NY.
On Wednesday, August 15, it's Eric Fischl in Conversation. An
illustrated talk with Eric Fischl in The John Drew Theater about his work,
present and future.
Princess Charlene and Prince Albert of Monaco host the Red Cross Ball. Photo: Palace of
64th ANNUAL MONACO RED CROSS GALA
took place August 3 in Monte-Carlo. One of Monaco's biggest annual events, it's
so important that Prince Albert and his wife Charlene left the Olympics early to host
A major fundraiser for the global charity, it is attended by celebrities and dignitaries
from all over the world. This year, entertainment was provided by Scorpions, the German rockers known for their '80s anthem Rock You Like a Hurricane.
Princess Charlene was stunning in a gown with a gold sequined bodice and white draped skirt. Prince Albert complemented Charlene's ensemble by wearing a white tuxedo.
Prince Albert and Charlene, who recently celebrated their first wedding anniversary, spent a lot of time on the dance floor at the gala held in the Salle des Étoiles at the Sporting Monte-Carlo.
The event was attended by Gareth Wittstock, Charlene's brother, and the newly engaged couple Andrea Casiraghi and Tatiana Santo Domingo. Casiraghi is Prince Albert' nephew, the son of Monaco's Princess Caroline.
Also in attendance, China Moses who is the, daughter of jazz singer Dee Dee Bridgewater,
Sandrine Quetier, Jean Leonard Taubert-Natta de Massy, Elisabeth Ann de Massy,
Melanie-Antoinette de Massy, Roysin Galvin,
Mr and Mrs Alberto Repossi, Julio Base,
Mr. Chris Le Vine and his wife and Tiziana Rocca.
For the Red Cross organization founded in 1948 by Prince Louis II, this fabulous
soirée is an opportunity to thank each and every person for their generosity throughout
the past year. Since last year's Gala, 500 volunteers have devoted more than 38,000 hours
of their time to the Monaco Red Cross - nursing, first aid and assistance. 42,000 persons
have benefited from its help.
SPREADING THE WORD
Noël and Company present the world premiere of Noël Coward's original
adaptation of his short story, Star Quality, a brilliant back stage
comedy about an undeniably temperamental actress (forgiven only in light
of her supreme 'star quality'), the naive young playwright, a rather
novice director, his jaded assistant, and the hilarious ensuing hijinks. A
brilliant homage to the theatre for anyone who works in, loves, and/or
hates it... and all it's irresistible flippancies.
Starring Bebe Neuwirth and Brian Murray.
Directed by Keith Merrill.
Monday, August 13, 2012 at the New York Public Library for the Performing
Arts, Dorothy and Lewis B. Cullman Center, Bruno Walter Auditorium,
FIRST TRANSFER TO LONDON'S WEST END has been announced by London's fledging theatrical company
King's Head Theatre. Their critically acclaimed production of Tennessee
Williams' late masterpiece Vieux Carré is transferring into the
opening at The Charing Cross Theatre on Tuesday August 14 and run for a
strictly limited season, until Saturday, September 1.
"This is a historic move for the company, the first West End transfer of a
play in our four year history. It wouldn't have been possible without the
artistic vision of our director, Robert Chevara, the incredibly talented
creative team, the excellent cast who have worked so hard through the run
and you, our loyal audience," read their official announcement.
MAE WEST: MEET HER SECRET ITALIAN HUSBAND with speaker LindaAnn
Loschiavo In August, 1913, Mae met a
handsome vaudeville headliner, accordionist Guido Deiro. Learn the
inside story of their hot romance and marriage. Watch Guido in
performance. Listen to him play music he composed for Columbia Records
and the Broadway musical Kismet.
This musical event concludes with a raffle, Italian wine, and light
refreshments to celebrate the August 17, 1893 birthday of Mae West.
Thursday, August 16, 2012 at the Italian American Museum in New York
PULLMAN PORTER BLUES PLAYWRIGHT CHERYL L. WEST AT NAAM
talking about the Seattle Rep season
opener Pullman Porter Blues and the history behind the show at
the Northwest African American Museum on Sunday, August 19.
Join Cheryl L. West along with long-time activist Eddie Rye and Pullman
Porter descendent Thomas Gray for On Track to the Pullman Porter Blues:
A Celebration and Discussion.
This event is free. The production of Pullman Porter Blues
runs September 27 – October 28, 2012 at Seattle Rep in Seattle, WA.
GHOST:THE MUSICAL an
adaptation of the hit film, will close on August 18 after 39 previews and
136 regular performances at Broadway's Lunt-Fontanne Theater.
The production will close at a financial loss.
A National tour will begin next fall with international productions
scheduled for Korea, Germany, Sweden, Hungary and elsewhere.
A current mounting at London's Piccadilly Theatre will shutter in
October after a 14-month run.
THE GREAT GATSBY MUSICAL
Composer and Lyricist Joe Evans. Writer and Director Linnie Reedman.
Set in the sizzling heat of a 1920s New York summer, Jay Gatsby is the man
who has everything. But one thing will always be out of his reach...
Beneath the shimmering surface of his life he is hiding a secret: a silent
longing that can never be fulfilled. Soon this destructive obsession will
force his world to unravel.
Discover the glitzy world of speakeasies, glamour and jazz in this brand
new musical, adapted from F. Scott Fitzgerald's iconic novel.
Ruby In The Dust bring this world premiere of The Great Gatsby
Musical to the King's Head Theatre in London with performances
through September 1, 2012.
BRING IT ON the new
Broadway musical with
music and lyrics by Tony Award winner Lin-Manuel Miranda, music by
Pulitzer Prize and Tony Award-winning composer Tom Kitt and lyrics by
Kitt's High Fidelity
collaborator Amanda Greenwith, has extended its Broadway run through
January 20, 2013.
The musical began Broadway previews July 12 at the St. James Theatre and
officially opened August 1. Performances were originally scheduled only
through October 7.
CLOSER THAN EVER has
extended its Broaway run for the second time. Presented by
The York Theatre Company, the revival features the songs of lyricist
Richard Maltby, Jr. and composer David Shire.
The four-person show will now continue through September 30 at The York
Theatre at Saint Peter's in New York City.
Maltby directs with associate direction and choreography by Kurt Stamm
and music direction by Andrew Gerle. The production
features Jacquelyn Piro Donovan, Julia Murney, George Dvorsky and Sal
A cast recording will be released by Jay Records while the original
Off-Broadway cast recording is available from RCA Victor.
HARRISON, TX: THREE PLAYS BY HORTON
FOOTE Helmed by Tony Award nominated director Pam MacKinnon.
Tony Award nominees Hallie Foote and Jayne Houdyshell will head up an
ensemble featuring Devon Abner, Mary Bacon, Jeremy Bobb, Alexander
Cendese, Andrea Lynn Green (Giant, Anne and Emmett), Evan Jonigkeit
(High, History Boys at Arden Theatre Company, and Jenny Dare
In Harrison, TX: Three Plays by Horton Foote, the Pulitzer Prize
winner explores the humor, darkness, and romance of the people of the
titular town in three works: Blind Date, The One-Armed Man, and
The Midnight Caller.
Runs through September 15 at Primary Stages at 59E59 Theaters in New York
THE PALM SPRINGS FOLLIES
in Palm Springs, CA has announced details of their upcoming season.
Their all new edition is Dance to the Music.
From the Stroll to the Twist to Disco, they'll be dancing to favorite
tunes from the 40s, 50s, 60s and 70s, all performed by a cast definitely
old enough to remember the way it really was!
Appearing in the star slot will be Lorna Luft making her Follies
debut November 1 - December 31.
Lou Christie is on stage January 8 - March 9, 2012 and
Lesley Gore is back by popular demand March 12 - May 19, 2013.
HOPE IS THE SADDEST
Written and Directed by Jeffrey Jay Fowler.
"a bright black comedy with tells the story of three loners whose lives
crash together in a pool of blood. Hope is a Dolly Parton fan, set to
make the world a better place. Theo is a lonely gay would-be inventor.
Marion recently inherited money, and moved out of the suitcase she grew
The cast includes Michelle Robin Anderson, Jeffrey Jay Fowler, and
Hope is the saddest was the winner of the Best Theatre Award at
the 2012 Perth Fringe Festival.
Part of the 16th annual New York International Fringe Festival, the
production will be held at Venue #8: The First Floor Theatre at LA MAMA,
New York City for five performances from August 12-24, 2012.
DIANA KRALL performs Saturday,
August 18, at the Thunder Valley Casino in Lincoln, CA. On Sunday, August 19
she can be enjoyed at the Louise M. Davies Symphony Hall in San Francisco.
NEIL DIAMOND returns to the Greek
Theatre in Los Angeles for performances on Thursday, August 16 and Saturday,
BARRY MANILOW will be
performing his hits August 16-17 at Wolf Trap's Filene Center in Vienna,
PINK MARTINI performs
Monday, August 13, at the Boiler Room at the Sun Valley Resort. On Wednesday they open a two night gig at the
Woodland Park Zoo in Seattle. Friday finds them at the Orpheum in
Vancouver, BC. On Saturday the begin a two nighter at the Oregon Zoo Amphitheatre in Portland, OR.
STEVE MARTIN that wild
and crazy multi-talented guy takes to the stage Monday, August 13, at the
Gallo Center for
the ARts in Modesto, CA.
Marvin Hamlisch 1944-2012
August 2012 in Los Angeles following a brief illness. He was 68. One of
only 11 people to have won an Emmy, Grammy, Oscar and Tony award, he is
also one of only two people to have won those four prizes and also a
At the time of his death he was enjoying rave reviews for the Jerry
Lewis directed The Nutty Professor, at the Tennessee Performing
Arts Center. Hamlisch wrote the score.
He was also working on a new musical called Gotta Dance and was
writing the music for a film about Liberace, starring Michael Douglas and
Matt Damon and directed by Steven Soderbergh.
Hamlisch's career included composing, conducting and arranging music from
Broadway to Hollywood. His movies included The Way We Were and
His first job on Broadway was as a rehearsal pianist forFunny
Girl with Barbra Streisand. His Broadway career went into
superstardom with A Chorus Line.
He held the title of principal pops conductor for the Pittsburgh Symphony
Orchestra, the Milwaukee Symphony Orchestra, the Dallas Symphony
Orchestra, the Pasadena Symphony and Pops, the Seattle Symphony and the
San Diego Symphony.
The Recording Academy
President/CEO issued the following statement:
"Four-time Grammy winner Marvin Hamlisch was a masterful composer whose work transcended Broadway stages
and the silver screen. His compositions for Broadway hits such as A Chorus Line and The Goodbye Girl,
and scores for films Sophie’s Choice, Ordinary People, and The Way We Were
earned him numerous accolades, including the prestigious honor of having received Academy Awards, Emmys,
Golden Globes, Tonys and a Pulitzer Prize — in addition to his Gramny Awards. His work had a significant influence
on our culture, and continues to reach across generations. The music industry has lost a truly gifted artist,
and our condolences are with his family, friends and all those who were inspired by
his singular talent.
In mourning the loss of Marvin Hamlisch the Broadway community dimmed the marquee lights
in his memory on Wednesday, August 8th.
Charlotte St. Martin, Executive Director of The Broadway League,
said, “Marvin Hamlisch’s accomplishments in the theatre and film worlds are legendary.
He left an everlasting mark with the groundbreaking A Chorus Line, one of my personal favorites.
His legacy leaves us with a treasury of songs and stories that will always be familiar to
theatregoers as they stir up meaningful and heartfelt emotions. Our thoughts
go out to his family, friends, and fans everywhere.”
He is survived by his wife Terre Blair, a Columbus, Ohio, native and news
anchor from the ABC affiliate WTNV- Channel 6 in that city whom he wed in
A public Visitation will be held August 12 and 13 at the Frank E.
Campbell Funeral Chapel, in Manhattan. A funeral service, which is also open to the public, will be held August
14 at Temple Emanu-el, in New York City.
CHAVELA VARGAS a ground breaking Mexican singer died August 5, 2012 in Mexico. She was 93.
She was hugely successful during the 1950s, 1960s and the first half of the 70s, touring
in Mexico, the United States, France and Spain.
Gabriel Abaroa Jr., President/CEO of The Latin Recording Academy stated:
Latin Recording Academy Lifetime Achievement Award recipient Chavela Vargas was one of Mexico’s most legendary singers, hailed for her provocative singing style and haunting performances. Born in Costa Rica but later raised in Mexico, she defied gender stereotypes and her deep-voiced renditions of Mexican rancheras became the definitive versions of the genre’s classic folk songs. Recording more than 80 albums over the course of her career, she was still at work as of last year, releasing a new album and performing to standing ovations. Mexico has lost a cultural icon and the music world has lost a true trailblazer. Our deepest sympathies go out to her family, friends, and all who were moved by her transcendent talent.
POPPY BARLOW a baby girl expected to be born
later this month was a stillborn delivery in London on August 4, 2012. Her parents are
Dawn and Gary Barlow.
As a member of Take That, Barlow has been part of one of Britain's most successful pop bands, and also recently organized the Queen's Diamond Jubilee concert at Buckingham Palace.
The 41-year-old singer and his wife Dawn, a dancer, 42, have been married
for 12 years and have three other children - Daniel, 11; Emily, 10; and Daisy,
Lloyd Webber wrote on Twitter: "Dearest Dawn & Gary, Madeleine & I are devastated
about news of Poppy. Our thoughts & prayers are with you and your family."
the Tony Award-winning writer of the Broadway hits Hairspray and
Cry-Baby, died Aug 6, 2012. He was 58.
O'Donnell dropped dead in front of his home on Riverside Drive after
going into respiratory arrest, officials said. A medical examiner will
determine the cause of death, but police said it is not
DALE C. OLSON an
entertainment industry publicist, died August 9, 2012 at the Burbank
Rehabilitation Center after a long battle with cancer. He was 78.
The veteran publicist had a long client list including the late Rock
Hudson, for whom he was spokesperson during his battle with AIDS; Shirley
MacLaine, Steve McQueen, Gene Kelly, Doris Roberts, Marion Ross, Clint
Eastwood, Lord Laurence Olivier, Peter Ustinov, Robert Blake, Tony Curtis,
Cleo Laine, Diane Ladd, Jean Stapleton, Marilyn Monroe, and dozens
He began his career as an entertainment journalist. In 1956, he became
West Coast editor of the motion picture exhibitor trade magazine
Boxoffice. Subsequently, he spent six-and-a-half years as a reporter and
entertainment critic. As the Variety drama critic, he was instrumental in
forming The Los Angeles Drama Critics Circle.
He later became an executive of Rogers & Cowan, Inc., then the largest
independent public relations company in the entertainment industry, where
he remained for 18 years, serving as senior vice president and president
of the motion picture division, before he left to start his own
On July 12, 2012, Olson was awarded the Actors Fund Medal of Honor which
is the highest honor awarded by the Actors Fund. It was presented by
colleague and friend, Shirley MacLaine, who said, "He was not only an ace
publicist, but also a true friend to me, and to so many in need in our
industry. A great, loyal and generous man. Thank you, Dale."
Mr. Olson is survived by his spouse of more than 30 years, Eugene
Next Column: August 19, 2012
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